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Meanwhile, some additional quests have been revealed via an entry in the book (don’t worry if this isn’t immediately clear the game is fairly clear when something needs to be opened-it’s just less adept at telling you that you don’t need to know everything at any given time). Now there are spice fields on the islands, perhaps, or an iron deposit, or a dock. And then you pack it up and start again, except the board isn’t completely virgin and unexplored this time around. It finishes more or less at the same time as each of the four islands are named, and the four corresponding entries written on quest cards are read out. So the first game, the prologue, proceeds.
There are hundreds of stickers, by the way: whirlpools, new islands, weird statues, and plenty of symbols with no current meaning but plenty of portent.
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The book then tells you how to change the board, in this instance by taking a sticker from one of three big old sheets that come in the box and placing it on the island site to label it as a site that produces a type of good or hosts a mine or a market. Do you pinch the goods or respect the natives' wishes? For instance, you meet some natives who seem friendly, but they’re leaving offerings to an idol of a golden god. You cross-reference the site symbol on the island against a number on the map, read the corresponding entry in the book, and voilà-a two-step choose-your-own adventure. This book contains 400 or so story entries, a map, and a section at the back sealed by perforated card and more dire "no-looking" warnings.
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If you succeed at a roll, you consult a manual named the “Captain’s Booke,” presumably by someone who has never actually read any Elizabethan English. The chests are lined neatly to one side of the game box, and players are strictly banned from peeking at their contents until the appointed time.
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Slowly, over the course of the next dozen-and-a-half games, that purpose is revealed via a series of six sealed cardboard chests emblazoned with arcane symbols. Aside from a vague mandate to explore, it’s not entirely clear what you’re meant to be doing. There are a couple of nearby unexplored islands and a whole expanse of empty hexagonal sea. Players permanently alter the game as they play it-writing on the board, triggering the introduction of new rules, and generally making the game their own unique experience through their actions.Īt the start of things, the players, as mainland noble families beginning to explore the western sea, start with two plastic ships at one edge of a large, mostly empty board. Its central conceit is its "legacy" aspect: it was designed to be played between about 12 and 20 times-and no more-by the same group of three, four, or five players over the course of about 45 hours. SeaFall is an incredible work of flawed genius. The short answer is “yes, very.” But there’s a long answer too, and that one starts with a “but”. Further Reading Pandemic Legacy is the best board game ever-but is it “fun?”
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